Harumi Yamaguchi
A leading name in the world of Japanese advertising, she pioneered the highly dramatic but elusively flat airbrush aesthetic closely associated with commercial illustration. Harumi Yamaguchi’s practice places her in the vanguard of new painterly practices and as a celebrated documenter of an emerging feminist aesthetic from the 1970s onwards.
Born in Matsue in the Shimane prefecture, Yamaguchi graduated from Tokyo University of the Arts in oil painting. She began her career as a freelance illustrator, spearheading the advertising for the renowned retail establishment PARCO. From its outset, PARCO was established to combine a commercial retail establishment with a cultural facility, combining platforms such as museum, theatre, and publishing in addition to retail. Yamaguchi’s role as engineer of the project’s mise-en-scène places her in the center of art and design in Japan.
As one of the original gyaru — commonly known also as “Shibuya Girls” rising from out ūman ribu or the feminist movements of the 1970s and generally applied to professionally-empowered but trend-conscious young women— Yamaguchi’s position at PARCO gave her license to portray an emerging cosmopolitan woman, liberated from the vestiges of traditional femininity and empowered through consumerism to define her own individuality. “Harumi’s gals” are often active and in motion — be it throwing a ball or swimming in a crystal blue pool — and returning the gaze of the viewer.
As Chizuko Ueno noted in her essay published in connection to “Women of the 70s PARCO Poster Exhibition 1969-1986”, an exhibition that took place at the Tokyo Metropolitan Museum of Photography, “while appearing to adhere to the scenario of male-tailored eroticism, Yamaguchi deconstructs male desire through her exaggerative depictions. As a consequence, the female body is idealised to a realm unreachable by male hands”.
Yamaguchi’s works are in the collections of: CCGA Graphic Art Center; Fukushima Kawasaki City Museum, Kanagawa, Japan; Museum of Modern Art, New York; Walker Art Center, Minneapolis
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Installation View
Harumi Yamaguchi
Harumi Yamaguchi, Selected Works: 1974 - 1985, 2017
Project Native Informant, London
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Harumi Yamaguchi
Plastic Hose
1976
Acrylic on board, framed
63 x 65.7 x 3 cm
24 3/4 x 25 7/8 x 1 1/8 in
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Harumi Yamaguchi
Dripping
1974
Acrylic on board, framed
51.4 x 71.2 x 3 cm
20 1/4 x 28 1/8 x 1 1/8 in
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Harumi Yamaguchi
Peeking Lady
1980
Acrylic on board, framed
50 x 70 x 3 cm
19 3/4 x 27 1/2 x 1 1/8 in
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Installation View
Harumi Yamaguchi
Harumi Yamaguchi, Selected Works: 1974 - 1985, 2017
Project Native Informant, London
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Harumi Yamaguchi
Soap Bubbles
1979
Acrylic on board, framed
51.5 x 72.8 x 3 cm
20 1/4 x 28 5/8 x 1 1/8 in
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Installation View
Harumi Yamaguchi
Harumi Yamaguchi, Selected Works: 1974 - 1985, 2017
Project Native Informant, London
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Installation View
Harumi Yamaguchi
Harumi Yamaguchi, Selected Works: 1974 - 1985, 2017
Project Native Informant, London
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Harumi Yamaguchi
Glass, Summer and Woman
1979
Acrylic on board, framed
74.2 x 104.2 x 3 cm
29 1/4 x 41 1/8 x 1 1/8 in
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Installation View
Harumi Yamaguchi
Harumi Yamaguchi, Selected Works: 1974 - 1985, 2017
Project Native Informant, London
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Installation View
Harumi Yamaguchi
Harumi Yamaguchi, Selected Works: 1974 - 1985, 2017
Project Native Informant, London
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Installation View
Harumi Yamaguchi
Hyper! HARUMI GALS!, 2016
PARCO Museum, Tokyo
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Harumi Yamaguchi
Danielle Darrieux
1980
Acrylic on board, framed
51.5 x 36.4 x 3 cm
20 1/4 x 14 3/8 x 1 1/8 in
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Installation View
Harumi Yamaguchi
Hyper HARUMI GALS!, 2016
PARCO Museum, Tokyo
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Harumi Yamaguchi
Rita Hayworth
1980
Acrylic on board, framed
51.5 x 36.4 x 3 cm
20 1/4 x 14 3/8 x 1 1/8 in
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Installation View
Harumi Yamaguchi
Hyper! HARUMI GALS!, 2016
PARCO Museum, Tokyo
Installation View
Harumi Yamaguchi
HARUMI GALS, 2015
NANZUKA, Tokyo
Installation View
Harumi Yamaguchi
HARUMI GALS, 2015
NANZUKA, Tokyo
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Harumi Yamaguchi
Lying on Ice
1979
Acrylic on board, framed
59.8 x 51.5 x 3 cm
23 1/2 x 20 1/4 x 1 1/8 in
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Installation View
Harumi Yamaguchi
HARUMI GALS, 2015
AISHONANZUKA, Hong Kong
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Harumi Yamaguchi
Megaphone
1975
Acrylic on board, framed
45 x 61.7 x 3 cm
17 3/4 x 24 1/4 x 1 1/8 in
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Installation View
Harumi Yamaguchi
HARUMI GALS, 2015
AISHONANZUKA, Hong Kong
Solo Exhibitions
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Bubblewrap
Contemporary Art Museum, Kumamoto
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Harumi's Summer
Ginza Graphic
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Selected Works 1974 - 1985
PNI, London
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Harumi Yamaguchi
Spazio Maiocchi, Milan
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WAVE: Currents in Japanese Graphic Arts
Japan House, London
Group Shows
Harumi Yamaguchi
The House of Fame
Nottingham Contemporary, Nottingham
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Harumi Yamaguchi
Global Pop Underground
Parco Museum, Tokyo
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DIS, Flo Brooks, Hal Fischer, Harumi Yamaguchi, ...
LISTE 2018
LISTE, Basel
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DIS, Harumi Yamaguchi, Juliana Huxtable, Ned Vena
Art021 2017
Art021, Shanghai Exhibition Center, Shanghai
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Harumi Yamaguchi
EVERYTHING AT ONCE: POSTMODERNITY 1967–1992
Bundeskunsthalle, Bonn
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Press
The Airbrushed Irreverence of Harumi Yamaguchi
Art Basel
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Harumi Yamaguchi in Conversation
Autre
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Harumi Yamaguchi: The Power of Pin-Up
Metal Magazine
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Harumi Yamaguchi
KALEIDOSCOPE
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Review: Harumi Yamaguchi at Project Native Informant, London
Frieze
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Harumi Yamaguchi Remade Girl Power for Modern Women
AnOther
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Critics Pick: Harumi Yamaguchi at Project Native Informant, London
Artforum
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