Project Native Informant

Sophia Al-Maria, Sin Wai Kin

BCE

Whitechapel Gallery, London

Installation View

Sophia Al-Maria with Sin Wai Kin
BCE, 2019
Whitechapel Gallery, London

Sophia Al-Maria, Sin Wai Kin

Still: BCE

2019
Single-channel HD video

9 mins, 43 secs

Installation View

Sophia Al-Maria
BCE with Sin Wai Kin, 2019
Whitechapel Gallery, London

Installation View

Sophia Al-Maria Sophia Al-Maria
BCE, 2019
Whitechapel Gallery, London

Sophia Al-Maria, Sin Wai Kin

Still: BCE

2019
Single-channel HD video

9 mins, 43 secs

“Still there are seeds to be gathered, and room in the bag of stars.”
Ursula K. Le Guin, The Carrier Bag Theory of Fiction, 1986

Speculative fiction writer Ursula K. Le Guin reimagines narrative as a feminist project. Instead of the heroic, masculine hunter as the framework for all storytelling, she urges us to consider the simplicity of the gatherer, and the container or carrier as the basis for narrative. These myths invite us to imagine another kind of history to shape a different future, where the binaries of light and dark, female and male, good and evil have dissolved.

The writings of artist Sophia Al-Maria (b. 1983, USA) gather untold histories, anecdotes, images, sounds and autobiography into her carrier bag of fiction. Drawing on a year of performances and readings, her audio-visual display centres around two creation myths: one from the ancient past, one from the distant future. One originates with the Wayuu tribe in northern Colombia; the other has been created in dialogue with artist and writer Victoria Sin.

Supported by Barjeel Art Foundation

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